lol. No suggestions or anything?Looks good to me!
(I'm a terrible critic btw)
NG1 is the only NG I remember lol. I must ask though, why is Alma looking crosseyed there?Nice, digging the colors on the donkey dude especially
Preview of something I'm working on...
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Trying to figure out how to color this bitch is almost as tough as fighting her (does anyone remember NG1? haha)
Lol going for that ahegao or whatever its called?She's supposed to be 'broken' but maybe I overdid it
Oh hey I came back :V
Blah blah blah, some crap I scribbled on Christmas.
Anyway, that Digimon art looks great for a WIP! Metallic lighting/shading is super tricky. When I shade metal, my order usually goes as such:
Highlight -> Midtone -> Highlight -> Core Shadow -> Shadow -> Reflective light
I should be looking into it more, but it's how I always got some pretty convincing results. Perhaps when I feel like practicing it, a full on drawing of Dural would suffice :U
Fortunately I figured that out sooner and decided to keep all my panels in one layer as opposed to a million others for effects and junk.Protip: if anyone's ever considering doing a manga, you might want to plan out the technical aspect of it. I ended up with a confusing 50 layer mess because I didn't bother looking up any tutorials, and now I have to dig myself out of a huge hole
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Make sure you have a tone template ready and use only one set of tones for the whole page... By default Manga Studio sort of makes you think you're supposed to do each panel individually but it's very inefficient and causes lots of annoyances later on. Also rasterize your panels. Ideally you'll have 1 folder with a handful of tones, 1 panel layer, and 1 line art layer. NOT 50.
I'm sorry, all I see is butt.